Everyone on this page knows what post-production is, so you probably don’t need a poetic paragraph about “bringing stories to life.”

Lee has over 25 years of post-production experience, which is another way of saying he’s seen a lot of formats, workflows, deadlines, opinions, disasters, miracles, and “we’ll fix it in post” still be a phrase.

That kind of history helps. It gives him a clear sense of what a project needs, what it doesn’t, and how to keep post moving without turning every decision into a small courtroom drama.

Cut to Black handles editing, finishing, delivery, and the thousand small decisions between “we shot it” and “it’s finally done.” Lee works as an editor and post supervisor / post producer, cutting projects directly or helping productions manage schedules, vendors, artists, reviews, budgets, and deliverables.

We bring in the right people when needed, keep things lean when not, and get the project from rough cut to whatever “final” means this time — theaters, festivals, streaming, broadcast, web, social, or the client’s inbox with a subject line that says “FINAL_final_USE_THIS_ONE_v12.”